Cadac CDC four Manuel d'utilisateur Page 24

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Revision 1 2012-13 CDC FOUR
The table below summarises the signal which each fader controls in each layer:
LAYER SELECT BUTTON
FADER CHNS 1-16 CHNS 17-24 CHNS 33-48 ST CHNS VCA OUTPUTS
1 Mic/line input 1 Mic/line input 17 Mic/line input 33 Stereo input 1 Output group 1
2 Mic/line input 2 Mic/line input 18 Mic/line input 34 Stereo input 2 Output group 2
3 Mic/line input 3 Mic/line input 19 Mic/line input 35 Stereo input 3 Output group 3
4 Mic/line input 4 Mic/line input 20 Mic/line input 36 Stereo input 4 Output group 4
5 Mic/line input 5 Mic/line input 21 Mic/line input 37 Stereo input 5 Aux Send Master 1
6 Mic/line input 6 Mic/line input 22 Mic/line input 38 Stereo return 1 Aux Send Master 2
7 Mic/line input 7 Mic/line input 23 Mic/line input 39 Stereo return 2 Aux Send Master 3
8 Mic/line input 8 Mic/line input 24 Mic/line input 40 Tape return Aux Send Master 4
9 Mic/line input 9 Mic/line input 25 Mic/line input 41 VCA master 1 Aux Send Master 5
10 Mic/line input 10 Mic/line input 26 Mic/line input 42 VCA master 2 Aux Send Master 6
11 Mic/line input 11 Mic/line input 27 Mic/line input 43 VCA master 3 Aux Send Master 7
12 Mic/line input 12 Mic/line input 28 Mic/line input 44 VCA master 4 Aux Send Master 8
13 Mic/line input 13 Mic/line input 29 Mic/line input 45 VCA master 5 FX Master 1
14 Mic/line input 14 Mic/line input 30 Mic/line input 46 VCA master 6 FX Master 2
15 Mic/line input 15 Mic/line input 31 Mic/line input 47 VCA master 7 -
16 Mic/line input 16 Mic/line input 32 Mic/line input 48 VCA master 8 -
The SEL button for each fader - and hence the entire Central Assignment Module
– follows the currently selected layer. Thus pressing the SEL button above Fader
5 will assign the CAM to mic/line input 5 when the layer CHNS 1-16 is active, but
to mic/line input 21 if the next layer, CHNS 17-32, is active, and to stereo input 5
if the layer ST CHNS VCA is active.
Every channel parameter for all the channels in a layer retains its last value when
the active layer is changed. This means that all levels, EQ settings, sends, etc.,
adjusted for a particular input will stay exactly as they are when you change to
a different layer. Although the fader set and CAM are now assigned to mic/line
inputs 17-32, it is possible to check and adjust parameters in mic/line inputs 1-16
– or any other layer – through the TFT display. Note that as the active layer is
changed, the motorised faders will automatically move to the correct positions for
the new layer.
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